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To view the entire exposure series from +0 to +1.7 EV, see files X60OUTFACAP0.HTM through X60OUTFACAP5.HTM on the thumbnail index page.

Look at the detail in Marti's hair, and compare how it looks with different cameras in the Comparometer. You can often see this in hair, where the individual strands become blurred, and the image takes on an almost watercolor effect. Too much noise suppression will "flatten out" subtle detail in areas of reduced contrast. Noise suppression is a good thing, but only if it's not overdone.

Detail in areas of subtle contrast: Most digital cameras employ some sort of noise-suppression to remove electronic noise from their images.

The ability to boost brightness without encountering too much image noise is important if you ever have to "rescue" an underexposed image on the computer. Photo printers are generally much better at showing shadow detail than are CRTs, so you'll want a camera that preserves good detail here. Brighten the image, and see how far detail extends into the shadows.

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Does the camera in question retain good detail here, with low image noise? To see, you may need to download the image and play with it in Photoshop(tm) or another imaging program.

Shadow detail: The area under the flower bouquet is in quite deep shadow.

Unfortunately, under bright sunlit conditions, many such cameras produce images with little or no highlight detail, and dark, plugged-up looking shadows.

Overall contrast: Most consumer digital cameras produce bright, contrasty images, because that's what most consumers like.

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Highlight detail: When Marti's skin tones are at a more or less normal level of brightness, how much detail can you see in her shirt? Does it blow out entirely to white, or can you still see the creases and folds in the fabric?.

A little oversaturation can make for a more "healthy-looking" complexion, but it doesn't take much variation for skin tones to look unnatural. Nonetheless, look to see if her skin seems overly pink or if they have a too-bright tinge of yellow: Some cameras oversaturate skin tones (make their color too intense), leading to an almost sunburned look.

Skin tones: The overall slight warm cast will tend to leave Marti's skin tones a bit on the warm side as well.

(In real life, they're a light shade of navy blue, with just a bit of purple in them.) For some reason, the blue flowers seem particularly hard to handle, with many cameras rendering them as purple.

That said though, there's a fair range of color represented in the bouquet, presenting a tough challenge for the cameras. So there may be an overall warm cast to the color. Overall color: Matching summer sunlight here in the South, the lighting in this scene is a bit more yellow-tinged than that in many parts of the country, or in the fall or winter.The reason for the harsh lighting is to provide a real "torture test" of how cameras handle conditions of extreme contrast and in particular, how well they do holding onto highlight detail. (In fact, the color balance has been chosen to pretty well match the hazy sunshine here in mid-August.) The lighting in this shot is deliberately awful, about what you'd expect from noontime sunshine here in the Atlanta, GA area. To view the entire exposure series from zero to +1.7 EV, see files X60OUTAP0.HTM through X60OUTAP5.HTM on the thumbnail index page. (This is my new "Outdoor" Portrait test - read more about it here.)

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You can see the full set of shots, including exposure information extracted from the EXIF file headers, on the Thumbnail index page. The table below shows selected representative images from our test shot series.

Digital Camera Reviews > Konica Minolta Digital Cameras >ĭigital Cameras - Konica Minolta DiMAGE X60 Test Images